Stained Glass - Sunrise

I've always wanted a stained glass piece for my window and thought it would be a nice retirement gift but it did not happen.  So I decided that I would pursue the idea and see where it led.  In my mind I see a colorful image casting beautiful colors on the wall and ceiling, almost sparkly.

First, I had to decide what image did I want?  Sunflowers are a favorite but I chose a sunrise as it represents a new beginning, hope, and a look to the future.

Second, research as to what a piece would cost, which window would work best, and would it do what I wanted.

Third, a trial run - how? I found a site that provided a video on how to create a piece of faux stained glass art and a few steps with easily found supplies. At Art Emporium the Faux Stained Glass video used basic school glue and acrylic color to make an art piece.  

Frame-  I found a white frame in my stash that did not have a mat and was quite large measuring  16.5 inches square so it likely would not be used in my photography.  It also had words on the glass that I removed with a razor blade.  Cleaned the glass thoroughly.

I needed some original art now so I browsed online sites with stained glass sunrise projects and after looking at hundreds I started to have an idea what mine would look like.  I did not want the pieces to be too bulky or too simple.  Remember I want lots of color.  

I drew the first sketch - sun off center, water and hills in the foreground.  I did not want straight lines like in the little one drawn below the sketch. 

This one was drawn at 7 inches square.

I traced it onto not the best watercolor paper and used my Stampin Up Watercolor  Wonder Crayons to color it.  I loved the colors but I stumbled with getting a variety of shades of green in the hills.  Of course, a real stained glass piece will not be a shaded as this one.

I asked a few folks for some feedback. 

I recognized that I had a hard time drawing the secondary rays on the left hand side.  Someone suggested that I copy the image and put then flip it so I could roughly follow what I did on the right on the left.

The hills were too similar and did not have enough pieces.

Ok, I can work with that.

So with that feedback I started on the second sketch.  This one was also at 7 inches.  

I now had light yellow pieces on the left hand side as well and more pieces in the hills.

I marked out the which rays would be Orange, Yellow and Light Yellow.  I wanted green blue and blue in the sky pieces.

Happy with that so lets move on.

Now it had to be enlarged to fit the frame I described above.  The glass could not be removed from the frame so I would have to be painted and leaded in place.  Because of that I chose to keep the design from going all the way to the frame.  That meant I did not have to touch the frame with the leading.

I enlarged it to 14 inches square and decided to put a frame around the edge which would leave about 1/2 inch between the wood frame and the lead frame on the glass.  Excellent.

Another suggestion was made that I paint it in the colors I was planning on using in the final piece just to be sure I was happy with it and still had a chance to adjust if needed.

So I traced the 14" piece onto some Bristol Vellum heavy card stock which was leftover from an art class I took years ago.  It had to be pieced together just like the sketch was earlier, to be large enough.

I sampled the liquid acrylic colors I had and made some selections.

The colors chosen are listed below:

Nick Bantock - Chrome Yellow, Deep Turquoise, Prussian Blue, Sap Moss Green, Chartreuse

Daler-Rowney FW Acrylic Inks - Flame Orange, Rowney Blue

 

Here's the Bristol Vellum piece all colored in. The yellows in the first row of rays are not all the same color.  I was just enjoying the process.  

I will be able to mix colors in the final product as well.

Of course, it will be more watercolor in tone than a glass piece will be.

I am happy with the hills this time in shape and color.

I used a Sharpie black marker with a fine tip to do the black leading on this piece.

Now I can get ready to transfer the image to the glass in the frame.

I placed the frame over the painted piece of Bristol Vellum and taped it carefully in place.  I will be putting the black leading on the glass surface on the inside of the frame. 

I chose Pure Black by Folk Art for the acrylic paint.

I reused at glitter paint bottle with a fine tip.  The black leading is mixed 1 part black acrylic paint and 4 parts white glue.  Test it to be sure it flows nicely so you can easily draw your lines.

I traced the black lines on the glass following the  drawing above.

You will see from the photo on the left that I put the art on my light table so that I kept the composition in the same direction as the original so when I flipped the frame back to the front it would be same as the original art.

Once the black leading was applied it needs to dry completely before you paint your color.  The video recommended overnight.  I painted my lines in the early morning and by the late afternoon they were dry and I could move on to the color.  The fun part was beginning.

I used some condiment cups to mix up my clear glue and acrylic color.  A cup for each color.

I applied the glue with a small wide craft brush and made sure I rinsed thoroughly before moving to the next color.

Then I followed my color chart from earlier and painted the sun and up then from the horizon line down to keep my hand and fingers away from my finished work.  

I let that dry over night.   

I discovered that I missed the top right most space when I was painting.  I did paint that several days after it was hung.

The next morning all was dry so I put the eye screws in the top middle of the width of the frame.  I chose wire to ensure it could carry the weight.  I have a second curtain rail so I slid a hanger onto the rail and screwed it tight. I then placed a carabiner between the wire and the hanger.  

I hung it in the window and waited for the sun to shine.  It took 3 days to have the sun shine and for the colors to be on the walls of the living room.

I was not anticipating it being so random as to when I would see the colors sparkling.

Of course, looking out it looks really nice but when the sun shines it is great. 

Another down side is that the sunshine only shines for a limited time through the window and the stained glass.  So I have to be around and paying attention to see the sparkle for the 10 minutes it is on the wall before it moves off the the book case.

In this photo the image is half on the wall and half on the side of the book case.

It took over a month from start to finish.  

The costs in materials was minimal. School glue on sale in early September. Liquid acrylic I already had. And my time.

Thanks to the artists who provided feedback and support during the process.

This was a great learning experience. Drawing, mixing colors, and sticking with it.   The biggest thing I learned is that I want sparkle all the time or when I need it not just when the sun shines in the window.  I am so glad I did not invest hundreds of dollars to learn this lesson.  I will enjoy it when the sun shines.

So, I have started another project to get the sparkle all the time or at least when I want it!  More to come on that project in days to come.